Rock · Singer-Songwriter
John
Story-driven rock in the spirit of the old greats — guitars, gravel, and a little truth.
Every release in one place. Pick your platform.
Streaming live — every track, hand-picked. Switch platforms with the tabs above.
Two albums, five singles, and a catalog that keeps growing. Click any cover to open it on Apple Music.
Niagara-rooted. Story-driven. Two-plus decades of writing the kind of rock that earns its space slowly — three chords and the truth.
For over twenty years, John Romanelli Jr. has been playing guitar and writing songs — the old-fashioned way, with a melody and something worth saying. The records came out of Niagara, on the Canadian side of the border, where he produced and played alongside a rotating cast of musicians who became friends, then family, then history.
Drawing on the storytelling tradition of Tom Petty and Bob Dylan, his rock trades polish for honesty — songs built to be played loud and felt close. The early sessions were cut at Prodigy Audio Resources in St. Catharines, Ontario, with engineer Rob Deacon at the board — a partnership that defined the sound of both albums.
The first record dropped in 2002: an eleven-track project called Baby Blue Suit that gathered the whole crew into one room. Piano, Hammond organ, banjo, pedal steel, even a tuba. A choir on a couple of tracks. The suit on the cover was custom-made by John's aunt, Assunta Romaniello.
"Courtesy of the stork, a special welcome to my niece Olivia Hope — who already has her dancing shoes on."
— Baby Blue Suit, dedicationEighteen years later, Other Various Movements (2020) carried the torch forward — same honest core, different shape. Both albums came home to streaming the same year, and a new wave of singles followed: Indian Blue, Angels, Horses, The Lonely Man, I Believe.
A small detail tucked into the original liner notes captures the whole spirit of the catalog: a hand holding a napkin folded into the shape of a Goat's Head — which, turned around, looked like a Walleye or a Trout. The kind of inside joke you only get from a record made by friends.
"Guitars, gravel, and a little truth — that's the whole record in one line."
John Romanelli Jr.
Signature Instrument
Every sticker is a place this guitar has been — a clubhouse, a basement, a gig, a studio. Every mark on the body is a memory.
For over twenty years, this Tokai hasn't left John's side. Through every record, every road trip, every late-night session — it sits within arm's reach, tuned and ready for the next song.
Never put away. Never set aside. Just there. Always there.
Scuffed. Signed. Stickered. Loved.
Eleven tracks. The full Niagara crew. Recorded at Prodigy Audio Resources, St. Catharines — engineered by Rob Deacon. The suit on the cover was custom-made by Aunt Assunta Romaniello.
The Tracks
"Napkin formed in the shape of a Goat's Head. When turned around it looks like a Walleye or Trout."
— from the original liner notesEvery musician, every voice, every contributor — the people behind the records.
All songs written, produced and performed by John Romanelli Jr. — with the help of an extraordinary cast of friends, family, and Canadian music legends.
"For those of you I haven't thanked along the way…
I thank you now."
Studio shots, portraits, and quiet moments. Click any photo to open it full size.






In Loving Memory
March 1955 — March 2005
A brilliant studio musician and a legend of the Canadian music scene, Joe lent his exceptional talent to all of John's albums — a monster on the piano and organ who left an indelible mark on every track he touched.
For Joe, it was never just about the music. It was about the craft, the camaraderie, and a genuine love for the art form. His spirit lives on in the records, and in the memories of everyone who got to play alongside him.
The latest from John's YouTube channel — playthroughs, sessions, and behind-the-scenes.